Vol. 6 (1996)

Articles (peer-reviewed)

• The Las Huelgas codex: Some Theories Concerning its Compilation and Use

  Wesley D. Jordan

  7-82

  • PDF

• The Cantus Firmi of the Requiem Masses from the School of Manuel Mendes: Aspects of Musical Structure and Affiliation on the Portuguese Chant Sources

  Rui Cabral

  83-98

  • PDF (Português)

• Music theory and aesthetics in Descartes' Compendium Musicæ

  Aires Pereira

  99-108

  • PDF (Português)

• The George Pike England Organ in the Church of Nossa Senhora do Monte, Island of Madeira

  Christopher Kent

  109-126

  • PDF

• What to do without a Camões musician? ­ Fernando Lopes-Graça and the question of tradition of Portuguese music

  Teresa Cascudo

  127-140

  • PDF (Português)

• Sounds of April: musical styles and cultural policy in the Portuguese Revolution of 1974

  Maria de São José Côrte-Real

  141-172

  • PDF (Português)

Reviews: Books

• Owen Rees, Polyphony in Portugal c.1530-c.1620: Sources from the Monastery of Santa Cruz, Coimbra

  Ivan Moody

  173-175

  • PDF

• Louise Stein, The Iberian Peninsula and its New World Colonies: The Spanish and Portuguese heritage

  Bernadette Nelson

  175-177

  • PDF

• Filipe Pires, Óscar da Silva: Estudo biográfico-analítico

  Luísa Cymbron

  177-180

  • PDF (Português)

Reviews: Recordings

• João de Sousa Carvalho: Orchestral works, dir. César Viana

  João Pedro d'Alvarenga

  181-182

  • PDF (Português)

• João de Sousa Carvalho, Luciano Xavier dos Santos, José Joaquim dos Santos: Obras sacras, dir. Manuel Morais. João de Sousa Carvalho: Vésperas de Nossa Senhora, dir. Olivier Schneebeli

  Rui Cabral

  183-184

  • PDF (Português)

• A Survey of Recordings of Music by Joly Braga Santos

  Ivan Moody

  184-188

  • PDF

• Abstracts

  189-192

  • PDF (Português)

• Contributors

  193-195

  • PDF (Português)

• Cover

  • PDF (Português)

• Front and Back Matters

  • PDF (Português)