Vol. 6 No. 1 (2019)

• Cover Photo Credits

  • PDF

Editorial

• Nota dos Editores

  Editores da RPM

  • PDF (Português)

Thematic Dossier (peer-reviewed)

• Introduction: Recent Research on Iberian Polyphony c.1500: Music, Composers, Sources, and Transmission

  João Pedro d'Alvarenga, Esperanza Rodríguez-García

  1-4

  • PDF

• On the Transmission of Iberian Polyphonic Music in the Early Decades of the Sixteenth Century: Some Philological Issues Revisited

  João Pedro d'Alvarenga

  5-28

  • PDF

• What did the Composer Antonio de Ribera Learn from Alonso Pérez de Alba at Seville Cathedral? A New Look at Ribera’s Missa Sine Nomine and Devotional Motets

  Esperanza Rodríguez-García

  29-62

  • PDF

• Re-examining Pedro Fernández de Castilleja Again: Was he a more Important Contemporary of Peñalosa than we Assumed?

  Grayson Wagstaff

  63-90

  • PDF

• Textual and Chant Traditions of the Kyries tenebrarum in Portugal, and Polyphony around 1500

  João Pedro d'Alvarenga

  91-112

  • PDF

• From Anchieta to Guerrero: The Salve Regina in Portuguese Sources and an Unknown Early Spanish Alternatim Setting

  Bernadette Nelson

  113-156

  • PDF

• Two Unnoticed Portuguese Villancicos in a Sixteenth-Century Italian Songbook

  Nuno de Mendonça Raimundo

  157-182

  • PDF

• The Polyphonic Songs Attributed to Pedro de Escobar

  Tess Knighton

  183-210

  • PDF

• The Dating of the Cancioneiro de Paris and a Proposed Timeline for its Compilation

  Nuno de Mendonça Raimundo

  211-232

  • PDF

Reviews: Books

• Laura Albiero, Repertorium antiphonarum processionalium (Lugano, Vox antiqua, [2016])

  Océane Boudeau

  233-236

  • PDF (Português)

• Juan Pablo Rubio Sadia, La transición al Rito romano en Aragón y Navarra: Fuentes, escenarios, tradiciones (Napoli, Editrice Domenicana Italiana, 2018)

  Elsa De Luca

  237-242

  • PDF

Reviews: Recordings

• Ruy Coelho: O violino d’Orpheu, Alexander Stewart, Philippe Marques, Ensemble mpmp (CD mpmp, 2015)

  Luís M. Santos

  243-250

  • PDF (Português)