The Teatro de S. João in Oporto: New Data on its Functioning (1834-1876)

Authors

  • Luísa Cymbron

Abstract

This article deals with the history of the Teatro de S. João in Oporto during the Romantic period, considering its peripheral status when compared to that of 'State theatre' upheld by the S. Carlos in Lisbon, which was attended by the court and the capital's political and social elite. It discusses the history of the building and the relations between its management and impresarios, on the one hand, and the State, on the other, during the period which followed the Liberal victory of 1834, in particular with regard to the Inspecção Geral dos Teatros, which from 1836 onwards supervised all theatrical activities. The mounting of the seasons and the hiring and circulation of singers reflect the economic difficulties that the Teatro S. João always had to face, and the way in which it depended for its functioning on other peninsular theatres, such as Lisbon, Cadiz and the Galician cities.

Author Biography

Luísa Cymbron

LUÍSA CYMBRON is assistant teacher at the Departamento de Ciências Musicais of the Universidade Nova de Lisboa and prepares her doctoral dissertation on Italian opera in Portugal between 1834 and 1854. She published História da Música Portuguesa with Manuel Carlos de Brito, the RIPM volume on the Portuguese journal A Arte Musical 1873-1875, 1890-1891, and articles about 19th-century Portuguese Music History and Opera.

Published

2014-12-20

Issue

Section

Articles (peer-reviewed)